
Photo by Moses Pendleton
On Thursday, as many of you know, I was in a bit of a funk about the condition of my house. It’s just that I was away for much of the summer and then, when I returned, I saw all the work that needs to be done. When you live in a house everyday, you don’t see the clutter. Or at least I don’t. So, I was sort of spinning wheels, moving piles of books from one place to another, muddling over whether or not to keep a pair of old tights or throw them away, when I got a call from the Pendleton-Quinn household. Would I like to come over for tea? There was something so wonderful and childishly rebellious about running outside when I was supposed to be cleaning my room – running off to play with my friends. Well, it was a beautiful, beautiful afternoon, too nice a day to be doing housework!
When I arrived at their house, Cynthia and Moses were standing on their wide wrap-around Victorian porch, looking out at the light. The natural afternoon light. They are planning an event that will take place in their backyard in two weeks. It’s a fundraiser for the Susan B. Anthony Project – an area organization that provides shelter and counseling for battered women. They’re having a cocktail party/dance performance with their dance company Momix and they needed to decide where the dancers would perform, where the people would watch, etc. It was the exact time in the afternoon that the performance would take place and they wanted my opinion on some of the decisions regarding these matters. I was so wildly flattered that they wanted my advice, that I only scolded them a few dozen times about the fact that they hadn’t invited me to the party.
“It’s a fundraiser – people bid on it at an auction,” they replied.
“Well, okay, I’m coming, if you insist,” I said.
After we had discussed the party and admired Moses’ garden, we all decided to ride bikes over to the farm where Moses leases land to grow his beloved sunflowers. The ride over to the farm was so bucolic and scenic. Moses and Cynthia only live ten minutes from me, but if felt like I was in another world. We arrived at the farm and there were fields of sunflowers all around us. Moses has rows and rows, acres and acres of sunflowers. He tends to them all day, everyday, during their growing season. He uses them as inspiration for his choreography, most recently in his show, Botanica, but mostly, he just cares for them because it’s his calling. He loves his sunflowers like children. He grows them for the pleasure of watching them grow. He’s a true artist in that he works to create beauty – for beauty’s sake. Not for profit or show. Just to create and nurture and photograph and admire beauty.

Photo by Moses Pendleton
When we arrived, the sun was settling low on the fields and it provided a wonderful backlighting to the flocks of brilliant flowers that surrounded us. You notice the light, when you’re with Moses. The light, the delicate fuzz on the stalk of a sunflower; the way an opening blossom looks like the crowning of a baby’s head during birth; the way that a sunflower has shimmering hues of purple and green in its center; the way that the surrounding wheat grass has a golden, hazy crown on the top of its stalk.
There were several different stands of sunflowers. Moses had them separated by types. We walked up to a patch of sunflowers that were all about eye-level with me. There was something girlish and adolescent about their stature. They were slender and of a type that doesn’t grow into the towering one-eyed monsters of the mammoth variety. These dainty sunflowers all faced the same direction, oddly, away from the sun, and Moses positioned me in front of them and I got to have the experience of having all eyes on me, they way he does each day. It felt like they were waiting for me to offer them something – like I was their sun, and since I was facing them, and the setting sun, my face was warm, and… well … it was really something.
I told Moses that I thought that sunflowers followed the sun during the day, that their big, brilliant heads always faced the sun. Moses explained that during most of their growth, they do that, but when they reach maturity, they stop following the sun. In the morning, they may be facing it, but in the evening, they keep it on their backs. They are their own sun now. Their heads are so heavy and full of pollen and seeds, they don’t need any more sustenance. They’re sort of like people, in their middle years, I thought, as Moses, Cynthia and I pedaled off on our bikes. At a certain age, you become saturated with the knowledge that comes from a lifetime of alternating darkness and light, until one day, you’re just your own source of light. Your own sun.
We rode home in the dusk, we three, past fields of hay, and darkening woods. We were home before dark, and then, I went back to cleaning my room.

Photo by Moses Pendleton